More UKG sites: | UKG Blog

Read the BLOG


- Music news
- Industry news
- CD giveaways
- Events
- Analysis
- Comment
- Reviews

So, it's that time of the year again.

The MOBOs roll back into town for 2014,
returning to the Big Smoke for the first time
in years.

And you can bet your house (or rented
accommodation) that the ‘whos’, 'hows'
and ‘whys’ in response to the
announced nominations will - pretty much
inevitably - not be that far behind.

Polarising Opinion

What is it about the UK’s biggest Black music awards that completely polarises opinion across the board?

The answer to that will no doubt vary, depending entirely on exactly who is doing the answering, but more than likely run the gamut of 'highlight of the Black music industry calendar' to 'totally sold Black music out' to 'had to be inclusive progress the brand' to 'completely irrelevant'.

Out of Touch

Meanwhile back in our niche: once upon a time you could have argued that MOBO was massively out of touch with the goings-on in UK Gospel, such that the nominations were almost unrecognisable when compared to activity on the ground, in churches and on the street.

Credit and Blame

But credit (and blame) where it’s due: I’d suggest MOBO's attempts to offer nominations that reflected the state of play back then would always have been an exercise in futility, especially as our industry itself didn’t have a recognisable framework - or co-ordinating body - that MOBO could have plugged into.

I made this same point back in 2012, so I won't cover the same ground again here.

It will also be unkind (not mention entirely unfair) not to acknowledge the good work MOBO has put in to highlighting some of the activity in UK gospel in the past 18-24 months: they secured the services of UK Gospel author Steve Alexander Smith as a contributor, and run regular series of blog posts showcasing UK Gospel talent.

What's MOBO's Impact?

Still, from our very specific (and quite niche) point of view perhaps a more pertinent question is this: how exactly do we go about quantifying what
impact - if any - picking up a MOBO Gospel has on an artist in a highly specialised market like Gospel?

How does a MOBO Gospel category win impact on profile? On unit sales? On credibility and respectability within and outside our scene? How does it - if it indeed does - impact the scene as a whole?

Has a MOBO win - or even a nomination - ever been relevant (a concept that once again will mean many different things to many different people) or even useful to any of the artists that have picked up one of those statuettes..?

These are some of the very abstract questions that I and the team will explore in the coming weeks in the run-up to this year’s MOBOs on October 22nd.


You’ll read, see and hear from former MOBO winners sharing their stories. Yep, we’re hoping to make this a multi-platform series of reports, bringing you audio, images and text.

And maybe we'll even talk to this year's nominees, which for the first time in a very long time has a non-Black person on the shortlist, begging an answer to a potentially rather loaded question: ‘about time’..?

Or more controversially: why’..?

This should be fun....

Simple crop (small A)

Lurine Cato - Gospel MOBO 2013 Winner

Delivered by


Simple crop (small B)

Yinka Awojobi

and the UKG Group of sites.

That's really all I have to say...

See the rest of the Team



Find out how - send an email


Expires Oct 1 2013

Helping YOU communicate who you are and what you do


#MOBOGospel Part 2:

Jendella asks: What’s The Point Of The MOBOs..?

#MOBOGospel Part 3:
Henry Yanney: Triple O: A MOBO Changed My Life..?

#MOBOGospel Part 4:
The Lady T MOBO Gospel Podcast MOBO Special 2012:
'Miss Kerr, The MOBOs and Migrating from UK Gospel'

MOBO 2014 nominees list (in alphabetical order): Annastasia Baker, Living Faith Connections Choir, Kristyna Myles, Noel Robinson and J Vessel,

Official MOBO website:


Yinka Awojobi

Founder, UKG/ group of sites. 

I really didn't want my picture here, but I'm bowing to pressure.

George Luke

Freelance journalist, all-round nice guy.

Has a weird obsession with international gospel music.

Go to the team page

You are viewing the text version of this site.

To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled.

Need help? check the requirements page.

Get Flash Player